Cinematografia

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REFERÊNCIAS BIBLIOGRÁFICAS
titulo	autor	ano	editor
50 ANOS: LUZ,, CAMERA, AÇÃO	MOURA, Edgar Peixoto de	1999	São Paulo: Editora SENAC São Paulo
A CÂMARA CLARA: NOTA SOBRE A FOTOGRAFIA	BARTHES, Roland	2015	Rio De Janeiro, Nova Fronteira
A GRANDE ARTE DA LUZ E DA SOMBRA – ARQUEOLOGIA DO CINEMA	MANNONI, Laurent	2003	São Paulo, Editora Senac, Unesp
A GUIDE TO CREATIVE COLOR COMBINATIONS	COLOR HARMONY
A HISTÓRIA DA LUZ	SALVETTI, A. R.	2005	Sp, Editora Livraria Da Física
A ILUSÃO ESPECULAR: UMA TEORIA DA FOTOGRAFIA	MACHADO, Arlindo	1984	São Paulo, Editora Brasiliense
A IMAGEM	AUMONT, Jacques	2003	São Paulo: Papirus
A LUZ	BARTHEM, Ricardo	2005	São Paulo, Editora Livraria Da Física
AMERICAN CINEMATOGRAPHER FILM MANUALl (9ª edição)	RYAN, Rod	2004	Hollywood, ASC Press
AMERICAN CINEMATOGRAPHER MANUAL	BURUM S. H. (Editor),	2004	9Th.Ed. California, The Asc Press
AN INTRODUCTION TO CINEMATOGRAPHY	MERCER, John	1979	Champaign, Stipes Publishing Company
ARTE E PERCEPÇÃO VISUAL: UMA PSICOLOGIA DA VISÃO CRIADORA (13a edição).	ARNHEIM, Rudolf	2000	São Paulo, Pioneira
BEFORE PHOTOGRAPHY: PAINTING AND THE INVENTION OF PHOTOGRAPHY	GARLASSI, Peter	1981	New York, Museum Of Modern Art
CÂMERA NA MÃO	MOURA, Edgar	1985	Rio de Janeiro, Funarte
CINEMA E PINTUA	COSTA, Antonio	1991	Torino, Loescher
CINEMATOGRAFIA EN ALTA DEFINICIÓN	WHEELER, Paul	2008	Barcelona: Omega
CINEMATOGRAPHERS ON THE ART AND CRAFT OF CINEMATOGRAPHY	STERLING, A.K	1987	London, The Scarecrow Press Inc.
CINEMATOGRAPHY	Kris Malkiewicz		Prentice Hall Press
CINEMATOGRAPHY (SCREENCRAFT)	ETTEDGUI, Peter	1998	Focal Press
CINEMATOGRAPHY THEORY AND PRACTICE	BROWN, Blain		Ed. Focal Press
CINEMATOGRAPHY: A GUIDE FORM FILM MAKERS AND FILM TEACHERS	MALKIEVICZ, Kris	2005	Fireside Edition
COLOR AND LIGHT – A GUIDE FOR THE REALIST PAINTER	GURNEY, James	2010	Andrews Mcmeel Publishing, Llc, Missouri
COLOR AND MASTERING FOR DIGITAL CINEMA	KENNEL, Gleen	2007	Oxford, Focal Press
COLOR CORRECTION FOR VIDEO – USING DESKTOP TOOLS TO PERFECT YOUR IMAGE	HULLFISH, Steve; FOWLER	2009	Oxford, Focal Press,
COLOR HARMONY: A GUIDE TO CREATIVE COLOR COMBINATIONS	CHIJIIWA, Hideako	1987
CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART	ROGERS, Pauline B	2000	Oxford, Focal Press
CONVERSATIONS WITH DARIUS KHONDJI	Jordan Mintzer	2018	Synecdoche
CULTO A LA LUZ	NYKVIST, Sven	1998	Madrid, Ediciones del imán
DA COR	MOURA, Edgar	2016	Santa Catarina: iPhoto Editora
DES LUMIERES ET DES OMBRES	ALEKAN, Henri	2001	Centre National Des Lettres & La Cinémathèque Française
DIGITAL CINEMA: THE REVOLUTION IN CINEMATOGRAPHY, POST-PRODUCTION, AND DISTRIBUTION	McKERNAN, Brian	2005	McGraw-Hill
DIGITAL CINEMATOGRAPHY	Paul Wheeler	2010	Focal Press
DIGITAL CINEMATOGRAPHY: FUNDAMENTALS, TOOLS, TECHNIQUES, AND WORKFLOWS	STUMP, David	2014	Focal Press
DIGITAL VIDEO CAMERA WORKS	WARD, Peter	2005	Oxford, Focal Press
DIGITAL VIDEO COMPRESSION	SUMES, Peter	2003	New York, Mc Graw Hill
DOUTRINA DAS CORES	GOETHE, Johann Wolfgang von	2011	São Paulo: Nova Alexandria
EXPOR UMA HISTÓRIA	ARONOVICH, Ricardo	2004	Rio de Janeiro, Coleção ABC,Gryphus
FILM FIRECTING SHOT BY SHOT: VISUALIZING FROM CONCEPT TO SCREEN	Steven Katz
FILM LIGHTING	MALKIEWICZ, Kris	1986	New York: Prentice Hall Press
FILM STYLE AND TECNOLOGY	SALT, Barry	2009	History And Analysis Londres: Starword
FILOSOFIA DA CAIXA PRETA: ENSAIOS PARA UMA FUTURA FILOSOFIA DA FOTOGRAFIA	FLUSSER, Vilém	2002	Rio de Janeiro: Relume Dumará
FOTOGRAFIA BÁSICA	LANGFORD, M.J		Martins Fontes
FOTOGRAFIA E PINTURA – DOIS MEIOS DIFERENTES?	GONZÁLEZ FLORES, Laura	2011	Sp, Martins Fontes
GLI ELEMENTI	STORARO, Vittorio	2004	Roma, Aurea Srl
HIGH DEFINITION AND 24P CINEMATOGRAPHY	WHEELER, Paul	2009	Oxford: Focal Press
HOW VIDEO WORKS	WEISE, Marcus	2007	Focal Press
IF IT`S PURPLE, SOMEONE’S GONNA DIE: THE POWER OF COLOR IN VISUAL STORYTELLING	BELLANTONI, Patti	2005	Focal Press
IL CINEMA ELETRONICO: FILOSOFIA E TECNOLOGIA DEI NUOVI MEZZI VIDEO	VERITÀ, Toni	1982	Firenze, Liberoscambio Editrice
IL COLORE	STORARO, Vittorio	2004	Roma, Aurea Srl
IL SEGNO DI UN DESTINO	STORARO, Vittorio; COVILLI, Gino	2004	Roma, Aurea Srl
ILUMINAÇÃO PARA VÍDEO E CINEMA (2ª edição).	DURÁN, Juan J	1994	Edição do autor
IMAGE CONTROL: MOTION PICTURE & VIDEO CAMERA  FILTERS & LAB TECHNIQUES	HIRSCHFELD, Gerald	2005	Hollywood, ASC Press
IMAGE ON THE ART AND EVOLUTION OF THE FILM	Marshall Deutelbaum	1979	the Magazine of the International Museum of Photography
LA BOTTEGA DELLA LUCE – I DIRETTORI DELLAFOTTOGRAFIA	CONSIGLIO, Stefano; Ferzetti, Fabio	1984	Milano, Ubulibri,
LA FOTOGRAFIA: ILUSIONE O RIVELAZIONE?	ALINOVI, Francesca	1991	Torino, Apeiron Editori
LA LUCE	STORARO, Vittorio	2004	Roma, Aurea Srl
LA LUCE NEL CINEMA	LOISELEUX, Jacques	2007	Torino, Lindau Srl
LA LUCE NELL’ARTE DELL’OPERATORE	GOLOVNIA, Andreij	1951	Roma, Bianco E Nero Editore
LA PHOTO DE CINÉMA	PREDAL, René	1985	Paris, Editions du Cerf
LA PRATIQUE DE L’ÉCLAIRAGE CINÉMA-TÉLÉVISION	BOUILLOT, René	1991	Paris, Ed. Dujarric
LE CADRAGE AU CINÉMA: L’OEIL À LA CAMÉRA	VILLAIN, Dominique	1984	Paris, Éditions Cahiers du Cinéma
LES DIRECTEURS DE LA PHOTO ET LEUR IMAGE	GILLES, Christian	1989	Paris, Ed. Dujarric
LIGHTING FOR CINEMATOGRAPHY	LANDAU, David	2014	New York, Bloomsbury
LIGHTING FOR FILM & ELETRONIC CINEMATOGRAPHY	VIERA, D	1993	California, Wadsworth Publishing Company
LIGHTING FOR TELEVISION AND  FILM	MILLERSON, Gerald	1996	Oxford, Focal Press
LÌMMAGINE FILMATA: MANUALE DI RIPRESA CINEMATOGRAFICA	BERNARDO, M	1987	Roma, La Nuova Italia Scientifica
LO SPETTO DI NEWTON – LA RIVELAZIONE DELLA LUCE E DEI COLORI	GIUDICE, Franco	2009	Roma, Donzelli Editore
LUCE COLORE VISIONE – PERCHÉ SI VEDE CIÒ CHE SI VEDE	FROVA, Andrea	2000	Milano, Bur Scienza
LUMIÈREACTRICE	VAN DAMME, Charlie e CLOQUET, Eve	1987	Paris, FEMIS
MANUALE DI CINEMATOGRAFIA PROFISSIONALE	PLOSSI, G	1983	Roma, 2.Ed. Edizione Lampocine
MASTER OF LIGHT: CONVERSATION WITH CINEMATOGRAPHERS	Dennis Schaefer
MASTERS OF LIGHT: COVERSANTIONS WITH CONTEMPORARY CINEMATOGRAPHE	SCHAEFFER, Dennis e SALVATO, Larry	1984	Berkeley, University of California Press
MATTERS OF LIGHT & DEPTH	LOWELL, Ross	1999	New York, Lowel Light Manufacturing
MORE CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART	ROGERS, Pauline B	2000	Oxford, Focal Press
MOTION PICTURE AND VIDEO LIGHTING	BROWN, Blain	2008	Ed. Focal Press
NEW CINEMATOGRAPHERS	BALLINGER, Alex	2004	Harper Collins Publishers/ Collins Design
NOTES ON CINEMATOGRAPHY	BRESSON, R.,	1977	New York, Urizen Books
O DILEMA DIGITAL	Science and Technology Council		AMPAS
O DIRETOR DE FOTOGRAFIA	MONCLAR, Jorge	1999	Rio de Janeiro, Solutions Comunicações
O IMAGINÁRIO SEGUNDO A NATUREZA	CARTIER-BRESSON, Henri	1996	Barcelona, Editoral Gustavo Gili S.A
O OLHAR	NOVAES, Adauto (org.).	1988	São Paulo, Cia Das Letras
O OLHO INTERMINÁVEL: CINEMA E PINTURA	AUMONT, Jacques	2004	São Paulo: Cosac & Naify
ON CAMERA	WATTS, Harris	1990	São Paulo: Sammus
Os 3 VOLUMES DE MASTERS SHOTS	Christopher Kenworthy
OS CINCO Cs DA CINEMATOGRAFIA: TÉCNICAS DE FILMAGEM	MASCELLI, Joseph V
PAINTING  WITH LIGTH – American Cinematographer Manual	ALTON, John.	1995	Berkeley, University Of California Press
PAINTING WITH THE LIGHT	ALTON, John	1995	Londres. University of California Press
PERCEPTION AND IMAGING, PHOTOGRAPHY – A WAY OF SEEING	ZAKIA, R.D.	2007	Oxford, Focal Press
PINTURA, FOTOGRAFIA, CINE, BARCELONA	MOHOLY-NAGY, László	2005	Editora Gustavo Gili
PROFESSIONAL CINEMATOGRAPHY, HOLLYWOOD, AMERICAN SOCIETY OF CINEMATOGRAPHERS	CLARK, C. G	2002
REFLECTIONS: TWENTY-ONE CINEMATOGRAPHERS AT WORK	BERGERY, Benjamin	2002	Asc Press
SCRIVERE CON LA LUCE/ WRITING WITH LIGHT – VOLUME 1: THE LIGHT	STORARO, Vittorio	2003	New York, Distributed Art Publishers
SEMIOTICS AND LIGHTING: A STUDY OF SIX MODERN FRENCH CAMERAMEN (2a edição)	RUSSEL, Sharon A	1984	Boston, U.M.I. Research Press
SET LIGHTING TECHNICIAN`S HANDBOOK BURLINGTON	BOX, Harry C	2003	Elsevier Science
SHOOTING DIGITAL VIDEO	FAUER, Jon	2001	Focal Press
SOBRE A VISÃO E AS CORES	SCHOPENHAUER, Arthur	2003	São Paulo: Nova Alexandria
STORARO SCRIVERE CON LA LUCE	Vittorio Storaro
STORIE DELLA LUCE: I FILM, LA VITA, LE AVVENTURE, LE IDEE DI 200 OPERATORI ITALIANI	MARSI, Stefano	1983	Aquila, La Lanterna Magica
THE  PHOTOGRAPHER`S EYE	FREEMAN, Michael	2007	London, Focal Press
THE “HANDS ON” MANUAL FOR CINEMATOGRAPHERS	SAMUELSON, David W	2002	Oxford, Focal Press
THE ART OF CINEMATOGRAPHY	Bob Fischer, Lorenzo Codelli, Vittorio Storaro
THE CAMERA ASSISTANT: A COMPLETE PROFESSIONAL HANDBOOK	HART, Douglas C.	1996	Oxford: Focal Press
THE CAMERA ASSISTANT’S MANUAL	ELKINS, D.E.	2005	Oxgord, Focal Press
THE ESSENTIAL REFERENCE GUIDE FILMMAKERS NOVA YORK	EASTMAN KODAK Company	2007	Eastman Kodak Company
THE FILMMAKER’S EYE	Gustavo Mercato
THE FILMMAKER’S GUIDE TO DIGITAL IMAGING	BROWN, Blain	2015	Ed. Focal Press
THE FILMMAKER’S EYE: LEARNING (AND BREAKING) THE RULES OF CINEMATIC COMPOSITION	MERCATO, Gustavo	2010	Focal Press
THE FIVE C’s OF CINEMATOGRAPHY	Joseph Mascelli
THE KEEPERS OF LIGHT: A HISTORY AND WORKING GUIDE TO EARLY PHOTOGRAPHIC PROCESSES	CRAWFORD, William	1979	New York, Morgan & Morgan, 1979.
UN HOMME À LA CAMÉRA	ALMENDROS, Néstor	1980	Paris, Hatier
UNDERSTANDING PHOTOGRAPHY – MASTER YOUR DIGITAL CAMERA AND CAPTURE THAT PERFECT PHOTO	MCHUGH, S.T	2019	San Francisco
UNDESTANDING DIGITAL CINEMA: A PROFECIA HANDBOOK	SWARTZ, Charles S	2005	Oxford, Focal Press
WRITER OF LIGHT – THE CINEMATOGRAPHY OF VITTORIO STORARO	ZONE, Ray	2001	California, Asc Press
WRITING WITH LIGHT, HARDCOVER	STORARO, Vittorio	2011	Dvd Roma, Aurea Srl