
Cinematografia
Conheça as Novas Tecnologias da ARRI
REFERÊNCIAS BIBLIOGRÁFICAS | |||
titulo | autor | ano | editor |
50 ANOS: LUZ,, CAMERA, AÇÃO | MOURA, Edgar Peixoto de | 1999 | São Paulo: Editora SENAC São Paulo |
A CÂMARA CLARA: NOTA SOBRE A FOTOGRAFIA | BARTHES, Roland | 2015 | Rio De Janeiro, Nova Fronteira |
A GRANDE ARTE DA LUZ E DA SOMBRA – ARQUEOLOGIA DO CINEMA | MANNONI, Laurent | 2003 | São Paulo, Editora Senac, Unesp |
A GUIDE TO CREATIVE COLOR COMBINATIONS | COLOR HARMONY | ||
A HISTÓRIA DA LUZ | SALVETTI, A. R. | 2005 | Sp, Editora Livraria Da Física |
A ILUSÃO ESPECULAR: UMA TEORIA DA FOTOGRAFIA | MACHADO, Arlindo | 1984 | São Paulo, Editora Brasiliense |
A IMAGEM | AUMONT, Jacques | 2003 | São Paulo: Papirus |
A LUZ | BARTHEM, Ricardo | 2005 | São Paulo, Editora Livraria Da Física |
AMERICAN CINEMATOGRAPHER FILM MANUALl (9ª edição) | RYAN, Rod | 2004 | Hollywood, ASC Press |
AMERICAN CINEMATOGRAPHER MANUAL | BURUM S. H. (Editor), | 2004 | 9Th.Ed. California, The Asc Press |
AN INTRODUCTION TO CINEMATOGRAPHY | MERCER, John | 1979 | Champaign, Stipes Publishing Company |
ARTE E PERCEPÇÃO VISUAL: UMA PSICOLOGIA DA VISÃO CRIADORA (13a edição). | ARNHEIM, Rudolf | 2000 | São Paulo, Pioneira |
BEFORE PHOTOGRAPHY: PAINTING AND THE INVENTION OF PHOTOGRAPHY | GARLASSI, Peter | 1981 | New York, Museum Of Modern Art |
CÂMERA NA MÃO | MOURA, Edgar | 1985 | Rio de Janeiro, Funarte |
CINEMA E PINTUA | COSTA, Antonio | 1991 | Torino, Loescher |
CINEMATOGRAFIA EN ALTA DEFINICIÓN | WHEELER, Paul | 2008 | Barcelona: Omega |
CINEMATOGRAPHERS ON THE ART AND CRAFT OF CINEMATOGRAPHY | STERLING, A.K | 1987 | London, The Scarecrow Press Inc. |
CINEMATOGRAPHY | Kris Malkiewicz | Prentice Hall Press | |
CINEMATOGRAPHY (SCREENCRAFT) | ETTEDGUI, Peter | 1998 | Focal Press |
CINEMATOGRAPHY THEORY AND PRACTICE | BROWN, Blain | Ed. Focal Press | |
CINEMATOGRAPHY: A GUIDE FORM FILM MAKERS AND FILM TEACHERS | MALKIEVICZ, Kris | 2005 | Fireside Edition |
COLOR AND LIGHT – A GUIDE FOR THE REALIST PAINTER | GURNEY, James | 2010 | Andrews Mcmeel Publishing, Llc, Missouri |
COLOR AND MASTERING FOR DIGITAL CINEMA | KENNEL, Gleen | 2007 | Oxford, Focal Press |
COLOR CORRECTION FOR VIDEO – USING DESKTOP TOOLS TO PERFECT YOUR IMAGE | HULLFISH, Steve; FOWLER | 2009 | Oxford, Focal Press, |
COLOR HARMONY: A GUIDE TO CREATIVE COLOR COMBINATIONS | CHIJIIWA, Hideako | 1987 | |
CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART | ROGERS, Pauline B | 2000 | Oxford, Focal Press |
CONVERSATIONS WITH DARIUS KHONDJI | Jordan Mintzer | 2018 | Synecdoche |
CULTO A LA LUZ | NYKVIST, Sven | 1998 | Madrid, Ediciones del imán |
DA COR | MOURA, Edgar | 2016 | Santa Catarina: iPhoto Editora |
DES LUMIERES ET DES OMBRES | ALEKAN, Henri | 2001 | Centre National Des Lettres & La Cinémathèque Française |
DIGITAL CINEMA: THE REVOLUTION IN CINEMATOGRAPHY, POST-PRODUCTION, AND DISTRIBUTION | McKERNAN, Brian | 2005 | McGraw-Hill |
DIGITAL CINEMATOGRAPHY | Paul Wheeler | 2010 | Focal Press |
DIGITAL CINEMATOGRAPHY: FUNDAMENTALS, TOOLS, TECHNIQUES, AND WORKFLOWS | STUMP, David | 2014 | Focal Press |
DIGITAL VIDEO CAMERA WORKS | WARD, Peter | 2005 | Oxford, Focal Press |
DIGITAL VIDEO COMPRESSION | SUMES, Peter | 2003 | New York, Mc Graw Hill |
DOUTRINA DAS CORES | GOETHE, Johann Wolfgang von | 2011 | São Paulo: Nova Alexandria |
EXPOR UMA HISTÓRIA | ARONOVICH, Ricardo | 2004 | Rio de Janeiro, Coleção ABC,Gryphus |
FILM FIRECTING SHOT BY SHOT: VISUALIZING FROM CONCEPT TO SCREEN | Steven Katz | ||
FILM LIGHTING | MALKIEWICZ, Kris | 1986 | New York: Prentice Hall Press |
FILM STYLE AND TECNOLOGY | SALT, Barry | 2009 | History And Analysis Londres: Starword |
FILOSOFIA DA CAIXA PRETA: ENSAIOS PARA UMA FUTURA FILOSOFIA DA FOTOGRAFIA | FLUSSER, Vilém | 2002 | Rio de Janeiro: Relume Dumará |
FOTOGRAFIA BÁSICA | LANGFORD, M.J | Martins Fontes | |
FOTOGRAFIA E PINTURA – DOIS MEIOS DIFERENTES? | GONZÁLEZ FLORES, Laura | 2011 | Sp, Martins Fontes |
GLI ELEMENTI | STORARO, Vittorio | 2004 | Roma, Aurea Srl |
HIGH DEFINITION AND 24P CINEMATOGRAPHY | WHEELER, Paul | 2009 | Oxford: Focal Press |
HOW VIDEO WORKS | WEISE, Marcus | 2007 | Focal Press |
IF IT`S PURPLE, SOMEONE’S GONNA DIE: THE POWER OF COLOR IN VISUAL STORYTELLING | BELLANTONI, Patti | 2005 | Focal Press |
IL CINEMA ELETRONICO: FILOSOFIA E TECNOLOGIA DEI NUOVI MEZZI VIDEO | VERITÀ, Toni | 1982 | Firenze, Liberoscambio Editrice |
IL COLORE | STORARO, Vittorio | 2004 | Roma, Aurea Srl |
IL SEGNO DI UN DESTINO | STORARO, Vittorio; COVILLI, Gino | 2004 | Roma, Aurea Srl |
ILUMINAÇÃO PARA VÍDEO E CINEMA (2ª edição). | DURÁN, Juan J | 1994 | Edição do autor |
IMAGE CONTROL: MOTION PICTURE & VIDEO CAMERA FILTERS & LAB TECHNIQUES | HIRSCHFELD, Gerald | 2005 | Hollywood, ASC Press |
IMAGE ON THE ART AND EVOLUTION OF THE FILM | Marshall Deutelbaum | 1979 | the Magazine of the International Museum of Photography |
LA BOTTEGA DELLA LUCE – I DIRETTORI DELLAFOTTOGRAFIA | CONSIGLIO, Stefano; Ferzetti, Fabio | 1984 | Milano, Ubulibri, |
LA FOTOGRAFIA: ILUSIONE O RIVELAZIONE? | ALINOVI, Francesca | 1991 | Torino, Apeiron Editori |
LA LUCE | STORARO, Vittorio | 2004 | Roma, Aurea Srl |
LA LUCE NEL CINEMA | LOISELEUX, Jacques | 2007 | Torino, Lindau Srl |
LA LUCE NELL’ARTE DELL’OPERATORE | GOLOVNIA, Andreij | 1951 | Roma, Bianco E Nero Editore |
LA PHOTO DE CINÉMA | PREDAL, René | 1985 | Paris, Editions du Cerf |
LA PRATIQUE DE L’ÉCLAIRAGE CINÉMA-TÉLÉVISION | BOUILLOT, René | 1991 | Paris, Ed. Dujarric |
LE CADRAGE AU CINÉMA: L’OEIL À LA CAMÉRA | VILLAIN, Dominique | 1984 | Paris, Éditions Cahiers du Cinéma |
LES DIRECTEURS DE LA PHOTO ET LEUR IMAGE | GILLES, Christian | 1989 | Paris, Ed. Dujarric |
LIGHTING FOR CINEMATOGRAPHY | LANDAU, David | 2014 | New York, Bloomsbury |
LIGHTING FOR FILM & ELETRONIC CINEMATOGRAPHY | VIERA, D | 1993 | California, Wadsworth Publishing Company |
LIGHTING FOR TELEVISION AND FILM | MILLERSON, Gerald | 1996 | Oxford, Focal Press |
LÌMMAGINE FILMATA: MANUALE DI RIPRESA CINEMATOGRAFICA | BERNARDO, M | 1987 | Roma, La Nuova Italia Scientifica |
LO SPETTO DI NEWTON – LA RIVELAZIONE DELLA LUCE E DEI COLORI | GIUDICE, Franco | 2009 | Roma, Donzelli Editore |
LUCE COLORE VISIONE – PERCHÉ SI VEDE CIÒ CHE SI VEDE | FROVA, Andrea | 2000 | Milano, Bur Scienza |
LUMIÈREACTRICE | VAN DAMME, Charlie e CLOQUET, Eve | 1987 | Paris, FEMIS |
MANUALE DI CINEMATOGRAFIA PROFISSIONALE | PLOSSI, G | 1983 | Roma, 2.Ed. Edizione Lampocine |
MASTER OF LIGHT: CONVERSATION WITH CINEMATOGRAPHERS | Dennis Schaefer | ||
MASTERS OF LIGHT: COVERSANTIONS WITH CONTEMPORARY CINEMATOGRAPHE | SCHAEFFER, Dennis e SALVATO, Larry | 1984 | Berkeley, University of California Press |
MATTERS OF LIGHT & DEPTH | LOWELL, Ross | 1999 | New York, Lowel Light Manufacturing |
MORE CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART | ROGERS, Pauline B | 2000 | Oxford, Focal Press |
MOTION PICTURE AND VIDEO LIGHTING | BROWN, Blain | 2008 | Ed. Focal Press |
NEW CINEMATOGRAPHERS | BALLINGER, Alex | 2004 | Harper Collins Publishers/ Collins Design |
NOTES ON CINEMATOGRAPHY | BRESSON, R., | 1977 | New York, Urizen Books |
O DILEMA DIGITAL | Science and Technology Council | AMPAS | |
O DIRETOR DE FOTOGRAFIA | MONCLAR, Jorge | 1999 | Rio de Janeiro, Solutions Comunicações |
O IMAGINÁRIO SEGUNDO A NATUREZA | CARTIER-BRESSON, Henri | 1996 | Barcelona, Editoral Gustavo Gili S.A |
O OLHAR | NOVAES, Adauto (org.). | 1988 | São Paulo, Cia Das Letras |
O OLHO INTERMINÁVEL: CINEMA E PINTURA | AUMONT, Jacques | 2004 | São Paulo: Cosac & Naify |
ON CAMERA | WATTS, Harris | 1990 | São Paulo: Sammus |
Os 3 VOLUMES DE MASTERS SHOTS | Christopher Kenworthy | ||
OS CINCO Cs DA CINEMATOGRAFIA: TÉCNICAS DE FILMAGEM | MASCELLI, Joseph V | ||
PAINTING WITH LIGTH – American Cinematographer Manual | ALTON, John. | 1995 | Berkeley, University Of California Press |
PAINTING WITH THE LIGHT | ALTON, John | 1995 | Londres. University of California Press |
PERCEPTION AND IMAGING, PHOTOGRAPHY – A WAY OF SEEING | ZAKIA, R.D. | 2007 | Oxford, Focal Press |
PINTURA, FOTOGRAFIA, CINE, BARCELONA | MOHOLY-NAGY, László | 2005 | Editora Gustavo Gili |
PROFESSIONAL CINEMATOGRAPHY, HOLLYWOOD, AMERICAN SOCIETY OF CINEMATOGRAPHERS | CLARK, C. G | 2002 | |
REFLECTIONS: TWENTY-ONE CINEMATOGRAPHERS AT WORK | BERGERY, Benjamin | 2002 | Asc Press |
SCRIVERE CON LA LUCE/ WRITING WITH LIGHT – VOLUME 1: THE LIGHT | STORARO, Vittorio | 2003 | New York, Distributed Art Publishers |
SEMIOTICS AND LIGHTING: A STUDY OF SIX MODERN FRENCH CAMERAMEN (2a edição) | RUSSEL, Sharon A | 1984 | Boston, U.M.I. Research Press |
SET LIGHTING TECHNICIAN`S HANDBOOK BURLINGTON | BOX, Harry C | 2003 | Elsevier Science |
SHOOTING DIGITAL VIDEO | FAUER, Jon | 2001 | Focal Press |
SOBRE A VISÃO E AS CORES | SCHOPENHAUER, Arthur | 2003 | São Paulo: Nova Alexandria |
STORARO SCRIVERE CON LA LUCE | Vittorio Storaro | ||
STORIE DELLA LUCE: I FILM, LA VITA, LE AVVENTURE, LE IDEE DI 200 OPERATORI ITALIANI | MARSI, Stefano | 1983 | Aquila, La Lanterna Magica |
THE PHOTOGRAPHER`S EYE | FREEMAN, Michael | 2007 | London, Focal Press |
THE “HANDS ON” MANUAL FOR CINEMATOGRAPHERS | SAMUELSON, David W | 2002 | Oxford, Focal Press |
THE ART OF CINEMATOGRAPHY | Bob Fischer, Lorenzo Codelli, Vittorio Storaro | ||
THE CAMERA ASSISTANT: A COMPLETE PROFESSIONAL HANDBOOK | HART, Douglas C. | 1996 | Oxford: Focal Press |
THE CAMERA ASSISTANT’S MANUAL | ELKINS, D.E. | 2005 | Oxgord, Focal Press |
THE ESSENTIAL REFERENCE GUIDE FILMMAKERS NOVA YORK | EASTMAN KODAK Company | 2007 | Eastman Kodak Company |
THE FILMMAKER’S EYE | Gustavo Mercato | ||
THE FILMMAKER’S GUIDE TO DIGITAL IMAGING | BROWN, Blain | 2015 | Ed. Focal Press |
THE FILMMAKER’S EYE: LEARNING (AND BREAKING) THE RULES OF CINEMATIC COMPOSITION | MERCATO, Gustavo | 2010 | Focal Press |
THE FIVE C’s OF CINEMATOGRAPHY | Joseph Mascelli | ||
THE KEEPERS OF LIGHT: A HISTORY AND WORKING GUIDE TO EARLY PHOTOGRAPHIC PROCESSES | CRAWFORD, William | 1979 | New York, Morgan & Morgan, 1979. |
UN HOMME À LA CAMÉRA | ALMENDROS, Néstor | 1980 | Paris, Hatier |
UNDERSTANDING PHOTOGRAPHY – MASTER YOUR DIGITAL CAMERA AND CAPTURE THAT PERFECT PHOTO | MCHUGH, S.T | 2019 | San Francisco |
UNDESTANDING DIGITAL CINEMA: A PROFECIA HANDBOOK | SWARTZ, Charles S | 2005 | Oxford, Focal Press |
WRITER OF LIGHT – THE CINEMATOGRAPHY OF VITTORIO STORARO | ZONE, Ray | 2001 | California, Asc Press |
WRITING WITH LIGHT, HARDCOVER | STORARO, Vittorio | 2011 | Dvd Roma, Aurea Srl |
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