REFERÊNCIAS BIBLIOGRÁFICAS
| | | |
titulo | autor | ano | editor |
A HISTORY OF THE NON-FICTION FILM | BARNOW, Eric | | |
A OBRA DE ARTE NA ÉPOCA DE SUA REPRODUTIBILIDADE TÉCNICA | BENJAMIN, Walter | 2012 | Porto Alegre. Editora Zouk |
CINEMA WORKSHOP | WILSON, A | 1983 | 4a Ed. California, A.S.C. Holding Corp |
DE CALIGARI A HITLER | KRAKAUER, Siegfried | | |
DOCUMENTARY – A HISTORY OF THE NON-FICTION FILM | Barnow | | |
FILM STYLE AND TECHNOLOGY: HISTORY AND ANALYSIS | SALT, Barry | 2009 | Londres: Starword |
HOW TO READ A FILM | James Monaco | | |
HOW TO READ A FILM: THE ART, TECHNOLOGY, LANGUAGE, HISTORY, AND THEORY OF FILM AND MEDIA | MONACO, J | 2009 | New York, Oxford University Press |
IL CINEMA COME TRADUZIONE. DA UN MEDIUM ALL’ALTRO: LETTERATURA, CINEMA, PINTTURA | DUSI, Nicola. | 2003 | Torino, Utet Diffusione Srl |
IL FILM – EVOLIZIONE ED ESSENZA DI UN’ARTE NUOVA | BALÁZS, Béla. | 1952 | Torino, Piccola Biblioteca Einaudi |
MASTER SHOTS, VOLUME 2: 100 WAYS TO SHOOT GREAT DIALOGUE SCENES | KENWORTHY, Christopher | 2012 | Michael Wiese Production, Studio City, CA |
MASTER SHOTS, VOLUME 3: THE DIRECTOR’S VISION: 100 SETUPS, SCENE AND MOVES FOR YOUR BREAKTHROUGH MOVIE | KENWORTHY, Christopher | 2013 | Michael Wiese Production, Studio City, CA |
NARRATIVA VISUAL | Bruce Block | | |
NARRATIVA VISUAL:CRIANDO A ESTRUTURA VISUAL PARA CINEMA, TE E MÍDIAS DIGITAIS | BLOCK, Bruce | 2010 | Editora Campus |
NUM PISCAR DE OLHOS | MURCH, Walter. | 2004 | Rio de Janeiro. Jorge Zahar |
O DILEMA DIGITAL: QUESTÕES ESTRATÉGICAS NA GUARDA E NO ACESSO A MATERIAIS CIMEMATOGRÁFICOS DIGITAIS SCIENCE AND TECNOLOGY COUNCIL | CINEMATECA BRASILEIRA / AMPAS | 2007 | Edição Brasileira: Cinemateca Brasileira. AMPAS |
PRÉ-CINEMA E PÓS CINEMA | MACHADO, Arlindo | 2007 | Campinas-Sp, Papirus Editora |
SINTAXA DA LINGUAGEM VISUAL | DONDIS, Donis A | 2007 | São Paulo, Martins Fontes |
TECHNIQUES OF THE OBSERVER | CRARY, Jonathan | 1992 | Massachusetts, The Mit Press |
THE FILMMAKERS HANDBOOK: A Comprehensive Guide For The Digital Age (Revised and Updated Edition) | ASCHER, Steven e PINCUS, Edward | 1999 | New York, Plume Books |
THE REALITY OF ILLUSION: AN ECOLOGICAL APPROACH TO COGNITIVE FILM THEORY | ANDERSON, Joseph D | 1998 | Carbondale. Southern Illinois University Press |
THE STORY OF FILM | COUSINS, Mark. | 2011 | Ed Pavilion |